My essay, "After the Coup," is now in print in the latest issue of Crazyhorse, and I'm happy to share that this new work is also featured on their site. It's an honor to be included in the pages of Crazyhorse, and I'm I'm grateful to editor Bret Lott for his support of this essay. Check out the link above for a PDF of the work and details on subscriptions, and keep an eye out at your favorite ( . . . )
I'm excited to share that an essay of mine has been accepted for publication later this fall at one of my favorite reviews. I look forward to sharing more details, and this new work, soon.
After a long life season of writing and recording new material, I've finally started playing out in Seattle. I've noticed a tremendous shift in how I approach the process of sharing my songs. I've been playing shows for nearly fifteen years now; each time I looked at how long I'd lived in this new Seattle chapter without a single gig, I wondered what the hay had I gotten stuck in my gears. I've ( . . . )
I'm happy to share that my short story "Quit Your Hiding" was named a recipient of the McGinnis-Ritchie Award for Fiction. Since 1998, the McGinnis-Ritchie Award has been given annually to the best works of fiction and nonfiction published during the previous year in The Southwest Review. You can read more about the prize here.
Written and home-recorded in Seattle in 2014, this is a song for the times when advice feels as irrational as impulse. You can download a zero-dollar mp3 [HERE] and you can find the audio on my [SOUNDCLOUD]. Feel free to share! SHOULD I. Should tells me please don’t call my baby, that maybe I shouldn’t care at all 'bout my baby, that maybe I could tear ( . . . )
Hi, y'all. Long time, no update. I've been out in the shed making something I'd never fully made before: a novel. In Chiang Mai in June, I finished the first draft. I am not one for romanticizing the writing process, but this book came to me in a way I could not have expected and tried not to question. I wrote it by hand in tiny, lined notebooks from the 7-11. There was a numerical side to ( . . . )
Below you will find four videos--one for each of the four elements--and a few photos from recent performances at Pongnoi Community Art Space during the Zodiac in the House of Element exhibition here in Chiang Mai, Thailand. I hope you enjoy the tunes--Johnny Cash makes a cameo, too! Many thanks to Toon for the video and to the Pongnoi community for the photos! Ellen Adams - Across the Atlantic ( . . . )
สวัสดีเจ้าเชียงใหม่! Hi ka, Chiang Mai! This Tuesday, March 11, I will play a last-minute mini-concert at Pongnoi Community Art Space for the opening of the Zodiac in the House of Element exhibition. I'll perform some of my folkier tunes about the four elements. The opening starts at 6. Swing on by and we can Earth, Air, Water and Fire it up! You'll find the poster for the exhibition, as well ( . . . )
Written and recorded in February 2014 in Chiang Mai, here is a new electronic-based song "Secrets Worth Keeping." In this track, I'm trying to capture the dreaminess of a love that just can't be held onto. This song samples [Erin McKeown] and [Emiliana Torrini]. You can download a free mp3 [HERE] and you can find the audio on my [SOUNDCLOUD]. Feel free to share! SECRETS WORTH ( . . . )
Recorded in February 2014 in Chiang Mai, this is a more electronic-based song about a love-turned-disappearing-act. You can download a free mp3 [HERE] and you can find the audio on my [SOUNDCLOUD]. Feel free to share! I KNOW WHAT THE FLOWERS DID Where did you go? I had my suitcase packed Stood the announced train track Where did you go? Thinking about calling it quits, are ( . . . )
Thai contemporary artist Torlarp Larpjaroensook, art historian Sébastien Tayac and I were recently interviewed by ART BANK magazine in China for a feature on Thai contemporary art. So strange to see our words in Chinese characters! Many thanks to journalist Chien Chien for a lovely afternoon discussing contemporary art in Thailand. More information on ART BANK can be found ( . . . )
This evening I was getting a bit frustrated with the vocals for a new, electronic-based song that I've been working on for weeks. I gave the computer a rest, picked up the guitar, and this song came out. This recording is the first and only take I did after I finished composing. It is by all means a more lo-fi song than the electronic one I'd been wrestling with; it also features the frogs in the ( . . . )